She breaks many right down the center with the edge of a door or building, with a scene on one side and its reflection on the other, suggesting two worlds: one concrete, the other an illusion.
In “All Terrain,” she sets us at pavement level, looking up at a man on a bike. A woman’s feet pass on one side. Yet we’re high on the canvas. A puddle with the man’s reflection fills most of the painting. The white sky above turns murky below. With works like these, Fontes weighs reality against the light and shadows it casts onto the world around it, and in our minds."